MARC details
| 000 -LEADER |
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| fixed length control field |
18783nam a2200253Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
HCC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250113213946.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
131128s2010 enka 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780240811833 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
HCC |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
070.19 WHI |
| 100 10 - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
White, Ted. |
| 245 10 - TITLE STATEMENT |
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| Title |
Broadcast news : |
| Remainder of title |
writing, reporting, and producing / |
| Statement of responsibility, etc |
Ted White, Frank Barnas. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
5th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
Amsterdam : |
| Name of publisher, distributor, etc |
Focal Press/Elsevier, |
| Date of publication, distribution, etc |
2010. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xviii, 322 p. : |
| Other physical details |
ill. ; |
| Dimensions |
24 cm. |
| 500 ## - GENERAL NOTE |
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| General note |
Includes index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
able of Contents<br/><br/>ACKNOWLEDGMENTS xv<br/>INTRODUCTION xvii<br/>Part 1 Acquiring the News<br/> CHAPTER 1 Ethical Considerations 3<br/> Introduction 3<br/> Accuracy 3<br/> Libel 4<br/> Defenses 5<br/> False Light 5<br/> Boundaries 6<br/> Hidden Cameras and Microphones 7<br/> Ambush Interviews 7<br/> Gratuities 8<br/> Conflict of Interest 8<br/> Reenactments and Staging 9<br/> "Unnatural" Sound 10<br/> Video Deception 10<br/> Improper Editing 11<br/> Jump Cuts 11<br/> Inflating the News 13<br/> Will the Real Reporter Please Stand Up? 13<br/> Cameras in the Courtroom 14<br/> The Fairness Doctrine 15<br/> Invasion of Privacy 17<br/> CHAPTER 2 Locating the News 21<br/> Introduction 21<br/> Spontaneous, Planned, and Enterprised 22<br/> Stories<br/> Assignment Desk 23<br/> Follow-Ups on Previous Newscasts 25<br/> The Wires 27<br/> Local Experts 29<br/> Monitoring the Competition 30<br/> Beat Checks, Cop Shops, and Police Scanners 31<br/> News Releases and Futures Files 34<br/> Info Calls 35<br/> The Calendar 35<br/> Internet Bookmarks 36<br/> Production Meetings 37<br/> CHAPTER 3 Developing Stories 41<br/> Introduction 41<br/> Advancing the Story 41<br/> Avoiding the Pack 42<br/> Internet 43<br/> Localization 43<br/> Tips 45<br/> Confidentiality 45<br/> Accuracy of Sources 46<br/> Gaining Confidence 46<br/> Leaks 47<br/> Trial Balloons 48<br/> Authoritative or Informed Sources 48<br/> Background Briefings 48<br/> Keeping in Touch 49<br/> CHAPTER 4 Collecting Information from Real 51<br/> and Virtual Documents<br/> Introduction 51<br/> Open records 52<br/> Public Records and "Sunshine Laws" 52<br/> Filing an FOIA Request 54<br/> The Privacy Act 55<br/> Collecting governmental information 55<br/> Government 55<br/> Businesses and Individuals 56<br/> Business Publications and Indexes 57<br/> Trade Publications 57<br/> Police Records 58<br/> Court Records 58<br/> Law Enforcement Databases 59<br/> Birth and Death Records 60<br/> Licenses 60<br/> Land Records 61<br/> Financial Records 61<br/> Tax Records 62<br/> Public Records 62<br/> Additional real and virtual documents 63<br/> Database Services 63<br/> City Directories 63<br/> Creating Contact Lists 64<br/> CHAPTER 5 Beats, Spot News, and Reporting 69<br/> Assignments<br/> Introduction 69<br/> Beats 70<br/> Business/consumer 72<br/> Crime 74<br/> Education 77<br/> Entertainment/community 77<br/> Environment 78<br/> Health 80<br/> Local government 82<br/> Military 83<br/> Science/technology 84<br/> Sports 84<br/> Weather 86<br/> Spot News 87<br/> Accidents 87<br/> Crime 88<br/> Demonstrations 89<br/> Disasters 90<br/> Fires 91<br/> Rape 92<br/> Riots 92<br/> Tragedies 93<br/> Guidelines for covering violent stories 93<br/>Part 2 Writing the News<br/> CHAPTER 6 Newswriting Mechanics 99<br/> Introduction 99<br/> Slugs 99<br/> The Split Page 100<br/> Avoiding Split Words and Sentences 100<br/> Punctuation 101<br/> Rewriting Wire Copy 101<br/> Conversational Style 102<br/> Reading Your Copy Aloud 102<br/> Avoiding Information Overload 103<br/> Looking Ahead 104<br/> Timing Stories 105<br/> CHAPTER 7 Newswriting Style 107<br/> Introduction 107<br/> Descriptors and Identifiers 108<br/> Names and titles 108<br/> Middle names, initials, and maiden names 110<br/> Foreign names 110<br/> Ages 110<br/> Marital status and children 111<br/> Race 111<br/> Numbers, Capital Numbers, Punctuation 112<br/> Marks, and Web Sites<br/> Numbers 112<br/> Capital numbers 113<br/> Punctuation marks 113<br/> Web sites 113<br/> Language—Using the Best Words 114<br/> Avoiding abbreviations 114<br/> Contractions 114<br/> Eliminating long words 115<br/> Conjunctions 116<br/> Prepositions 116<br/> Pronouns 116<br/> Adjectives and adverbs 117<br/> Avoiding clichés 117<br/> Good grammar and some exceptions 118<br/> Language—Using the Best Phrasing 119<br/> Active and passive voices 119<br/> Modifying phrases 119<br/> Avoiding relative clauses 119<br/> Verbs 121<br/> Be ...ing verbs 121<br/> Present tense 122<br/> Present perfect tense 122<br/> Mixing tenses 122<br/> Says and related verbs 123<br/> Attribution, Quotes, Time, Transitions, and 124<br/> Locations<br/> Attribution 124<br/> Using quotes 124<br/> Expressing time 125<br/> Transitions 126<br/> Locations 127<br/> People, not persons 127<br/> CHAPTER 8 Writing Compelling Leads 131<br/> Introduction 131<br/> The Five Ws and H Rule 131<br/> The "Right" Emotion 133<br/> Types of Leads 133<br/> Hard and soft leads 134<br/> Quote leads 135<br/> Shotgun leads 135<br/> Delayed leads 136<br/> Negative leads 136<br/> Trivia leads 136<br/> Question leads 137<br/> Updating the Lead 137<br/> Updating and reworking the lead 138<br/> Constructing the rest of the story 139<br/>Pat 3 Reporting the News<br/> CHAPTER 9 Fieldwork 145<br/> Introduction 145<br/> Equipment 146<br/> Videotapes 146<br/> Batteries and AC power 147<br/> Tripods 148<br/> Video cameras 148<br/> Video 150<br/> Filters 150<br/> White balancing 150<br/> Mixed light 151<br/> Focusing 152<br/> Shooting techniques 152<br/> Cover footage 153<br/> Establishing shots 153<br/> Sequences 154<br/> Shooting enough footage 155<br/> Time coding 155<br/> Audio 155<br/> Recording primary sound 156<br/> Recording natural sound 156<br/> Earphones 157<br/> Establishing rapport with the videographer 158<br/> One-man band 159<br/> Quality suffers 159<br/> CHAPTER 10 Interviewing 163<br/> Introduction 163<br/> Preparation 163<br/> Warming up 164<br/> Setting the Stage 165<br/> Informational 165<br/> Technical 165<br/> Phrasing Questions Carefully 166<br/> Avoiding Leading Questions 166<br/> Listening Carefully 166<br/> The Tough Questions 167<br/> Keeping Control 169<br/> Curbing Nods and Smiles 169<br/> Identifying Sound Bytes 170<br/> Checking Facts 170<br/> Asking Enough Questions 171<br/> Finishing the Interview 171<br/> Returning to the Station 172<br/> Special Considerations 172<br/> Off the Record 173<br/> Man-on-the-Street Interviews 173<br/> The Phone Interview 174<br/> An Interview Checklist 175<br/> CHAPTER 11 Covering Planned Events 177<br/> Introduction 177<br/> Press Conferences 178<br/> Covering the Press Conference 179<br/> Interviewing Around the Press Conference 180<br/> Finding Workable Video 181<br/> Meetings 181<br/> Political Campaigns 185<br/> Grand Openings 188<br/> Feature events 189<br/> CHAPTER 12 Reporting Live 193<br/> Introduction 193<br/> Organizing Thoughts 194<br/> Ad-Libbing 197<br/> The Challenges of Electronic News Gathering 198<br/> Keeping Cool 200<br/> Memorizing and Delivering Live Reports 201<br/> Voiceovers from the Field 201<br/> Technical Challenges 202<br/> CHAPTER 13 Voiceovers, Packages, and Story 205<br/> Formats<br/> Introduction 205<br/> Readers 206<br/> Combining Words and Pictures 207<br/> Voiceovers 208<br/> Scripting the Voiceover 209<br/> Incorporating Sound Bytes 210<br/> The Split Page 212<br/> Audio 212<br/> Video 213<br/> The Package 215<br/> Stand-ups and Reporter Involvement 218<br/> Posting Stories 220<br/>Part 4 Producing the News<br/> CHAPTER 14 Producing the Television Newscast 225<br/> Introduction 225<br/> Producers—Definitions and Skills 226<br/> Executive producer 227<br/> Line producer (show producer) 227<br/> Associate producer 228<br/> Field producer 228<br/> Producers and writing skills 228<br/> Producers and enthusiasm 229<br/> Producers and energy 231<br/> The Logistics and Strategies of Producing 232<br/> Staff meetings 232<br/> The rundown 233<br/> Leads, clusters, and kickers 233<br/> Peaks and valleys 234<br/> Rhythm and flow 236<br/> Ad-libs, bumps, teases, and tosses 236<br/> Producing tips 238<br/> Technical Aspects of Producing 238<br/> Balancing the anchors 238<br/> Still pictures 239<br/> Live shots 239<br/> Back timing 240<br/> CHAPTER 15 Producing the Radio Newscast 245<br/> Introduction 245<br/> The State of Radio News 245<br/> Your Audience 247<br/> Organizing Material 248<br/> Writing from the Back 249<br/> The Lead Story 250<br/> The Rest of the Newscast 251<br/> Localizing the News 252<br/> Story Length 252<br/> Actualities 253<br/> Studio Technology 254<br/> Wraparounds 254<br/> Lead-Ins 255<br/> Teases 255<br/> Headlines 256<br/> Pad Copy 257<br/> Back Timing 257<br/> Convergence and Radio News 257<br/> CHAPTER 16 Delivering the News 261<br/> Introduction 261<br/> Appearance 262<br/> Credibility 262<br/> One-Way Communication 264<br/> Getting Help with Your Delivery 265<br/> Dialects 266<br/> Listening to Yourself 267<br/> Correct Pronunciation 267<br/> Pacing 270<br/> Marking Copy 271<br/> Characteristics of Successful Anchors 271<br/> Cosmetics 272<br/> CHAPTER 17 Network and Global News 279<br/> Introduction 279<br/> Networks and Affiliates 280<br/> Network News Structure 280<br/> News on Public Television 282<br/> Domestic Networks, Global Reach 283<br/> Online News Portals 283<br/> News Wire Services 284<br/> The Internet's Delivery of Global News 285<br/> Press Freedom 286<br/> CHAPTER 18 Convergence and the Media 289<br/> Introduction 289<br/> Convergence Models 289<br/> Broadcast Journalism and Print Journalism 293<br/> Hyper Text Media Language (HTML), XHTML, 294<br/> and Cascading Style Sheets (CSS)<br/> Digital Video 294<br/> Digital Photography 295<br/> Digital Audio 296<br/> Podcasting 297<br/> Social Network Pages 297<br/> Blogs, E-Mails, and Mobile Devices 297<br/>GLOSSARY 301<br/>INDEX 313<br/> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Broadcast journalism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Reporters and reporting. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Report writing. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Barnas, Frank. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Books |
| Source of classification or shelving scheme |
Dewey Decimal Classification |
