MARC details
000 -LEADER |
fixed length control field |
03576nam a2200253Ia 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
HCC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20250113213902.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
131128s2002 ilu b 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0809324482 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780809324484 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
HCC |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
070.18 ROS |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Rosenthal, Alan. |
245 10 - TITLE STATEMENT |
Title |
Writing, directing, and producing documentary films and videos / |
Statement of responsibility, etc |
Alan Rosenthal. |
250 ## - EDITION STATEMENT |
Edition statement |
3rd ed. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
Carbondale : |
Name of publisher, distributor, etc |
Southern Illinois University Press, |
Date of publication, distribution, etc |
2002. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xvi, 392 p. : |
Other physical details |
ill. ; |
Dimensions |
23 cm. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc |
Includes bibliographical references (p. 381-382) and index. |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
able of Contents<br/><br/>Preface to the Third Edition ix<br/>Preface to the Revised Edition xi<br/>Preamble: Preface to the First Edition xv<br/> Introduction 1 (8)<br/>Part One. From Idea to First Draft<br/> Clearing the Decks 9 (10)<br/> Getting to Work 19 (14)<br/> Writing the Proposal 33 (17)<br/> Research 50 (9)<br/> Shaping the Film 59 (23)<br/> Beginning the First Draft 82 (14)<br/> Completing the First Draft 96 (33)<br/>Part Two. Preproduction<br/> Budget and Contract 129(15)<br/> Preproduction Survey 144(19)<br/>Part Three. Production<br/> The Director Prepares 163(12)<br/> Directing the Interview 175(13)<br/> On Location 188(11)<br/>Part Four. Postproduction<br/> Editing 199(20)<br/> Writing the Final Narration 219(35)<br/> Finishing the Film 254(11)<br/>Part Five. Special Cases<br/> Cinema Verite 265(11)<br/> Documentary Drama 276(21)<br/> The History Documentary 297(10)<br/> Family Films 307(22)<br/> Industrial and Public Relations Films 329(13)<br/> Staying Alive 342(21)<br/>Conclusion<br/> Problems and Challenges 363(12)<br/>Appendix: Budget for a One-Hour Documentary, 375(6)<br/>Peace Process<br/>Selected Bibliography 381(2)<br/>Index 383<br/> |
520 ## - SUMMARY, ETC. |
Summary, etc |
A comprehensive guide for documentary filmmakers at all stages. In this third edition, in response to technological advances and the demands of cable television stations, Alan Rosenthal reconsiders how one approaches documentary filmmaking in the 21st century. Foregoing theory and hardware, Rosenthal tackles the day-to-day problems from initial concept through distribution, emphasizing the research and writing approach. He offers examples of interviewing, narration writing, and the complexities of editing. The text explains how to write, direct and produce the documentary, whether film or video. This third edition also covers nonlinear editing techniques, a complex budget example and its analysis, and a chapter on "Staying Alive", which details how European and US stations approach documentary and how the Internet can help filmmakers find new markets. A new chapter has been added to stress the growing genre of family films. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Documentary films |
General subdivision |
Production and direction. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Documentary films |
General subdivision |
Authorship. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Books |
Source of classification or shelving scheme |
Dewey Decimal Classification |